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AKAI

Akai Professional MPK Mini MKII – 25 Key USB MIDI Keyboard Controller With 8 Drum Pads, 8 Assignable Q-Link Knobs and Pro Software Suite Included

    • Based on 13,026 reviews
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Availability: In Stock.
Fulfilled by Alto Music
Arrives Apr 30 – May 4
Order within 18 hours and 45 minutes
Available payment plans shown during checkout

Color: Red


Features

  • Compact keyboard controller easily fits backpack and studio production desk (12.4" long, 1.6 lbs)
  • Powered by USB connection to computer, with free virtual-instrument download packages
  • Crammed full of all the features you need to play and edit musical ideas
  • 25-synth-action mini-keys, 8 velocity-sensitive rubber drum pads with two banks, and eight assignable control knobs
  • Dedicated buttons for Note Repeat, Full Level, and Octave Up and Down
  • 1400 Sounds and Everything You Need For Pro Production: Production software package for Mac and PC included: Akai Pro MPC Essentials, SONiVOX Wobble, and Hybrid 3 by AIR Music Tech (downloads)

Description

Take Control, Wherever you go! Go mobile without losing control. Akai Professional’s MPK Mini MKII is an ultra-compact keyboard controller designed for the traveling musician and the desktop producer. With a cluster of production-centric in-demand hardware controls coupled with a slim-line ultra- portable footprint, MPK Mini MKII lets you record, compose and perform with virtual instruments, effect plugins and DAWs whenever inspiration strikes. Core Control MPK Mini MKII includes all the essential tools for quickly laying down and expanding upon your musical ideas. 25 velocity-sensitive synth-action keys, a 4-way thumbstick for dynamic pitch & modulation manipulation, 8 backlit velocity-sensitive MPC-style pads and 8 assignable Q-Link knobs provide the core functionality specifically engineered for rapid production potential, all housed in an ultra-portable footprint. Express Yourself Whatever your needs, MPK Mini MKII empowers producers with essential control that’s ready to capture the idea in your head whenever inspiration strikes; dedicated Octave Up and Down buttons increase the keyboard to the full melodic range – ideal for playing basslines, chords, melodies and more; a conveniently located sustain pedal input provides expanded control for expressive, immersive performances; finally, an onboard arpeggiator with adjustable resolution, range, and modes for simple, user-friendly and rapid creation of intricate melodic lines. Plug-And-Play For maximum portability, MPK Mini MKII requires no software drivers or external power adapter for operation. Combining plug-and-play connectivity, a seamless USB-MIDI connection and power via a single USB connection to your Mac or PC, MPK Mini MKII is a portable production powerhouse. Plus, for instant-recall of critical settings, four memory banks enable you to store hardware/software presets for rapid setup of your computer and MPK Mini MKII on the fly. Hybrid 3 Hybrid 3, by AIR Music Technology, is a critically acclaimed high-definition synthesizer that can create anything from fat, retro synth sounds to edgy modern leads and everything in between. SONiVOX Wobble SONiVOX’s Wobble is an electronic music grime synthesizer that features two independent channels of spectral morphing synthesis with harmonic controls, individual filtering and discrete LFO controls. MPC Essentials With MPC Essentials, charge your production with a powerful 64-bit music production package featuring up to eight pad banks (for a total of 128 tracks), a 1 GB sound library and user-friendly import capability for your own WAV and AIFF samples. Hardware Requirements- Macintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended); 1 GB RAM (2 GB recommended); Mac OS X 10.4.11 (10.5 or later recommended). PC: 1.5 GHz Pentium 4 or Celeron-compatible CPU or faster (multicore CPU recommended); 1 GB RAM (2 GB recommended); Windows 10, Windows 8, Windows 7, Windows Vista, or Windows XP; Windows-compatible sound card (ASIO driver support recommended); QuickTime recommended. Available USB port.


Item Weight: 1.63 pounds


Product Dimensions: 7.13 x 12.52 x 1.73 inches


Item model number: MPKMINI2


Is Discontinued By Manufacturer: No


Date First Available: May 28, 2014


Color Name: Red


Compatible Devices: PC


Connector Type: USB


Hardware Interface: USB


Material Type: Rubber


Musical Style: Electronic


Number of Keyboard Keys: 25


Color Screen: No


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Apr 30 – May 4

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Similar Products

Top Amazon Reviews

    • A mini controller with an Arpeggiator - Get outta here!
Color: Red
The media could not be loaded. Okay I pulled the trigger on buying Akai's MPK Mini MK2, even though I had resisted the urge to purchase the MK1 (1st gen) model because I also own a first generation M-Audio Axiom 25 M-Audio Axiom 25 25-Key USB MIDI Keyboard Controller with Assignable Control Surface, 2nd Gen and Akai's Original LPD 8 pad controller. When the first MPK Mini came out I was tempted to get it because I thought its size would make it easier to do portable production with my laptop. So anyways was browsing here on Amazon and found that Akai had released an upgraded version of its original this time with a sustain pedal input and a knob controller for pitch bend and modulation. My first thought was that's insane (in a good way), add a midi output port and you could use this thing as a standalone controller to control any of your synth hardware (for those of us who still have some). Akai must've hired some mad scientist engineers to design its newer product lines because its following suggestions that were made back in the hardware only MPC days, my first thought - the plan is working - first upgraded midi controller - then, world domination, muhahaha - okay maybe not in that order. ABOUT THE VIDEO: I wanted to show both the positive and negative aspects of working with the MINI so far, so the first four minutes is intro, and troubleshooting, if you want to skip to the part showing the Editor software and then using the arpeggiator in Cubase that stars around 4:00 Anyway DOWN TO THE DETAILS: 1) Ease of Set Up - 4/5 - the drivers were automatically recognized and downloaded on my Windows 7 laptop, haven't tried on Windows 8 yet, but the basic drivers are plug and play. However it did take a couple of resets in Cubase and a version of Kontakt player that I have before the controller was recognized - ie -being able to play the keys and pads. The controller was listed but wouldn't respond at first, this could be due to the fact that I didn't restart my laptop after installing the drivers so the DAW/ VST software may not have been using the most current file, just my guess anyway but this kind of thing happens with other gear so not really a big deal, but could be an annoyance for someone new to working with MIDI controllers and music software, at least on Windows. 2) Key/ PAD Response and Arpeggiator 3.5/5 - the keys are mini keys and feel plastic but their response and velocity sensitivity is pretty good, if you've played on any synth with minikeys before like a Korg mini, then you may know what to expect, don't expect full expression, but they are good enough to do chords, bass-lines, and some basic riffs. The PADS - ahh the pads, well some reviewers have said that the pads were more responsive than the first gen, can't comment on that but I will say at least so far the pad have the same feel and quality as Akai's LPD 8 Akai Professional LPD8 Ultra-Portable USB Pad Controller for Laptops , they are fairly thick for mini pads and have a nice bouncy feel to them, not like those nightmare cheap pads they put on the earlier MPD models Akai Professional MPD32 USB/Midi MPC Pad Controller l. LAST but no LEAST the Arpeggiator - I have to say this is where I think its a mixed bag, yes the arpegiator works and you can sync it to your DAW by downloading the MPK mini editor software, but its response even when synced to the software seems a little bit delayed, I got better results in Cubase Elements but still may take some practice, not a fast as either a keyboard Arp or built in VST one. To sync it to your DAW software you have to set the clock sync to external using the editor software and then you have to send a Midi Clock signal from your DAW (audio workstation - Cubase, Fruity Loops, Ableton, Logic -etc) software to the MPK Mini by selecting that as the Midi Clock output port - for those who may be wondering. Your DAW software may have slightly different names for these, but the process is the same (except for Reason Essentials which doesn't transmit midi-clock so you can't use this feature). 3) Software - No Rating Yet - Being that I already have a bunch of software-instruments( aka VSTs) from Reason, Cubase, and Kontakt (Native Instruments), I haven't downloaded any of the "included" software yet besides the MPK Mini Editor software which is free (no registration either) from Akai, I am looking forward to using the MPC Essentials software, but just haven't gotten around to doing the whole online register and download thing, which I know is no big deal but just haven't done it yet. However for ANYONE NEW to computer music production this step may be one of the most important and you should realize that A) the MINI DOESN'T COME WITH ANY MUSIC SOFTWARE PRE-LOADED or even on a disc and B) you have to use this as a MIDI-CONTROLLER with music software it DOESN'T HAVE ITS OWN SOUNDS, sorry for the caps but reading some of the reviews I know people who are just starting to get into making music may not realize this, I know this seems like a no brainer for the rest of us but I try to consider every kind of user. The Editor software is pretty good and if you own any of Akai's other software you will probably be familiar with the interface and layout, you can change the control numbers, pad numbers, and even the default octaves for the keys. And you also can set the Arpeggiator to internal or external sync. You get four Programs (or layout groups) which you can store. PROS and Cons vs other devices: I was on the fence between this and the M-Audio Axiom AIR Mini 32 MIDI Controller but the biggest selling point for me on the Akai was the option for a sustain foot pedal, that to me takes the MPK Mini to another level production wise. I also considered Akai's new MPX 16, even though its more a sampler than midi-controller, but all the reports of MIDI problems and sync issues convinced me to stay away from it (at least for now). Anyway like usual sorry for the longer review but just wanted to hit some points that I thought were important when considering buying this device, the pads are cool, the keys are responsive, and the portability is great, work out the issues with the Arpeggiator and this thing kicks a* and takes names! Current SET UP: Windows 7 64 Bit Laptop soundcard: Focusrite Scarlett 2i4 USB Audio Interface DAW: Cubase Elements, Reason Essentials, Ableton Live ... show more
Reviewed in the United States on January 1, 2015 by DJ Exquiz
    • Not bad, but really lacking in a clear focus / purpose
Color: Red
I would rate 3.5/5 or even 3.6-7, but can’t do that and these reviews are skewing high, so it’s a 3 as much for what it is as the fact that it’s skewing higher than I feel it should. Were it already a 3 I’d likely round up. This is a decent mini keyboard/controller unit, but here’s the thing: While it’s cheap for Akai, it’s still decently pricey, and you don’t really feel the value or quality. To start, it’s really, really mini: This can be good, if you are always on the go with it, but honestly, considering this requires a DAW, how many people are traveling with this? I can’t imagine any pro would go for it, it’s possible an aspiring amateur on a budget might, but even then there’s far better, more durable stuff for live shows and stuff like that. This is plastic, which is fine, the 225 is plastic, but this really lacks the solid feel. That means that even before considering the keys and layout, the general size is only for someone doing production on the go - plug this into a mac with ableton and you’d be ready to go. However, anyone traveling to produce is gonna have better gear, or more specialized gear, so I pretty much can only see it being useful for a hobbyist that wants to travel with a usb keyboard and is low on space. Since even the most fervent hobbyists will take a break on vacation, this deems a stretch. Besides the overall size, the key size and synth action isn’t likable, and if you’ve got large hands like me, it’s rough to be precise. The other main problem is the odd arrangement. For size, they made pitch/mod into a joystick, but its placement and action isn’t ideal - the wheels are better. Buttons are arranged alright, but then you have 8 pads and 2 banks, plus 8 knobs. No sliders, no presets / record, just that stuff. It’s cool to have some knobs and pads, but why? Without the ability to save and load presets, you’re constantly mapping the knobs when you reload the program (or switch VSTs, etc.). I’m still learning the 225 but you can definitely save mappings, and different okes for different DAWs or VSTs on it, lacking a screen, the mini doesn’t let you do that stuff. Also, I consider sliders important as well, if I’m gonna control the DAW I want some sliders for track level adjustments. Sure, knobs can do it, but there’s only 8, and it’s less visual. Realistically, nobody needs a controller. It’s all about streamlining your workflow and making it quicker and easier. I’m not sure this does either. The 225 has the same control faults. but is at least good at being a keyboard, so the pads are a nice extra. Really though, especially on this, the pads are generally unnecessary. For most applications that need pads, you can get the 16-pad version for the same price. For actually making drum beats, that’s reasonable. 8, eh, especially placed where they are. Sure, 2 banks on the mini mean 16 sounds, but switching banks doesn’t flow naturally - better for changing instruments, say, than expanding the range. So there you have it. Akai makes great hardware, but the pro level stuff costs. Even the lower-level MPK 225 or the MPC Touch pale in power to something like the ren or MPC X (The touch maybe an exception, it looks pretty good). Only one other thing, their cheaper pad, goes for $100, and that one makes more sense to me. People want pads for all sorts of reasons but may not want the $400 unit. However, for keyboards, especially basic synth mini 25 keys, there’s a ton of competition below $100. IMO, it’s just not Akai’s space. There are countless other keyboards for $100 or less that lack the pads and perhaps knobs, but have better keys, key action, and usually, mod/potch wheels. There’s certainly even decent semi-weighted options for up to 88 keys, though you do get what you pay for, and a full size keyboard for $50 isn’t going to be great. That’s why I went for the 225 after the mini. I don’t even want more keys, I have a larger keyboard but most of the time I’m not jumping octaves that much, and there’s a button for when I want to. That’s true of the mini ae well, though I don’t love the placement of the octave buttons. The pads seem better on the 225, but they’re good on the mini - that wasn’t the issue. Far greater an issue were the keys and mod wheel or lack thereof. The synth action is unsatisfying, too muxh rebound and not that smooth. As mentioned, size was just too little. The entire keyboard is smaller than 25 regular keys. My larger (49) keyboard also has knobs and sliders. making it preferable to map anyway. If you also have others , unless they’re really cheap, you’ll likely prefer them. IMO, for most, step up to the 225 or find one in your budget with more (or less, focused) features. If piano feel is important, and I’d think it is, otherwise why not use your keyboard?, then this won’t cut it. Really most synth actions won’t. Still, if you really love Akai and can only afford it, you could do worse for sure. Just know if you’re likely to get frustrated or sick of it, you’ll probably stick out past the return window, eventually replace it, and pay more in the end., Alsu, this really doesn’t feel appropriately solid for anything but travel. ... show more
Reviewed in the United States on October 5, 2018 by aberwah
    • Good, power input is weak
Color: Red
Good product but be careful when connecting power supply. They are thin and will break easily.
Reviewed in the United States on February 27, 2023 by casey varnado

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